(From The Sartorialist)(p.s. ack! where did all my old pictures go?!? I will fool with that later...sorry!)
(From The Sartorialist)

Photos from Vogue Korea via Asian Models. Head over to AM for the rest of the photos (and beautiful, full-size versions!).To start you off, my favorite place to go is High Heel Confidential, a fabulous blog written by Payal and Priyanka about Indian celebrity fashion (both male and female). The commentary is fun, but I enjoy the roundup of awesome photographs. Indian fashion is gloriously colorful and forever interesting.
The featured fashions vary from traditionally-inspired…
..to modern...
(Images owned by High Heel Confidential)
Is everyone else loving Danni Li in her gorgeous gown and floor-length pearls as much as I am? Photo from the April-May 2010 Issue #69 of the City Newspaper, via Asian Models.
You may have noticed in my recent budget total update that I bought a vintage silk sari this week. I’d had my eye on it for awhile on Etsy from Badraboutique and hoped to wear it to my grandmother’s 80th birthday party. Well, the party snuck up on me and before I knew it I only had a week to get this sari. Thus the odd budget-gymnastics (using Feb. leftovers) in the aforementioned post.That said, here is the lovely silk sari that I cannot wait to incorporate into my wardrobe. I think I will shorten the sleeves on the shirt:
(photo from badraboutique's etsy listing)
I went to this little factory in Suzhou—a small town of about two million people! The factory was like being in a dream, it was so unbelievably different. No heat. No bathrooms. But I saw incredible technique there—a totally different way of doing things. They had the same Japanese machines that we used, single needle and over-lock basically, and that’s really all we needed. But the precision in their shapes was totally new to me. It wasn’t really about a seam allowance. It was about the final shape. In America, you cut out your shape for a pocket; you had a quarter-inch seam allowance, you’d bend it over, press and sew it on. In China, you cut the final shape of your pocket on hard cardboard. Sometimes they actually took rice paste and water and painted it on to get the fabric stiff. Then they would hold the fabric over the edge of the cardboard and press it over these shapers. So if you wanted to make a collar it was all kind of pre-pressed for a precise shape. It was exactly right before it was sewn on and it gave a certain look to the clothes. It was very presentable but it was also a harsh look
….I still struggle in my dealings with Chinese factories to give more three-dimension to a garment and stop treating it like it’s a pancake. We don’t want an edge to be like a knife blade.
This from On the Runway. From now on I will certainly take a closer look at where my clothes are made, even secondhand pieces!